Android Leads U.S. Smart Phone Marketshare

comScore’s MobiLens service has released its latest report on key trends in the U.S. mobile phone industry, this one covering the three-month average period ending in February 2012.

According to the report, Google’s Android crossed the 50% mark to capture a majority share of the U.S. smartphone market for the first time in its history (it accounted for a 46.9% share during the three-month average ending in November 2011). Apple and its iPhone line captured 30.2% of the smartphone market (+1.5%), while RIM, Microsoft and Symbian rounded out the top five in that order.

All together, comScore finds that 104 million people in the U.S. owned smartphones during the three months ending in February, which is up 14% versus November. In terms of mobile content usage:

49.5% of U.S. mobile subscribers used downloaded apps (+4.6%).

49.2% used a browser (+4.8%).

36.1% accessed a social networking site or blog (+3.1%)

32.3% played games (+2.6%).

The top dog was still text messaging, which jumped from 72.6% to 74.8%.

Bravo Extends its Commitment to Digital Programming

At its 2012 Upfront presentation yesterday, Bravo Media introduced Digital as a sixth “passion point,” to join its existing pillars of Food, Fashion, Beauty, Design and Pop Culture. The passion point will focus on creating multiscreen interactivity and social experiences across all content. Bravo says Digital will also provide an expanded development filter for shows focused on the digital world, and is teaming up with Randi Zuckerberg (sister of Mark) to produce two new shows focusing on Silicon Valley and the staff behind icanhascheezburger.com. Bravo also announced that its recent Last Chance Kitchen transmedia initiative, which was an online series that allowed viewers to follow storylines across multiple platforms, generated 8 million video streams.

The Future of Shazam is TV

Shazam is one of the most popular smartphone apps of all time. Most people know it as that  interesting app that “listens” to a song and identifies the name of it, but what’s more interesting is Shazam’s increasing focus on television.

Since early 2010, Shazam has been gradually implementing and trialling TV-focused content in its app. The company is aiming squarely at the lucrative second screen app market. These are smartphone or tablet apps that interact with your television, as a “second screen” to navigate extra content for TV shows.

How Shazam For TV Works
When you see the Shazam logo pop up on a TV program (see screenshot above), you can open the Shazam app on your smartphone and access extra content. The latest TV show that Shazam has “enabled” for this extra content is Covert Affairs, on the USA network. The content available through the Shazam app includes episode information and video, character details and a Florence & The Machine song that featured in an episode.

Much of the TV functionality in Shazam relies on “calls to action” from within the media itself – in the form of the Shazam logo popping up on your TV screen. That’s a little different to how you use Shazam for music, where you explicitly launch the app to discover song titles. However, in both music and TV, Shazam is leading you to discover extra content.

The problem Shazam has faced over the years is that it’s been difficult to generate revenue off the extra content it offers around music. TV offers a potentially much greater revenue platform for Shazam, because they can partner with TV networks and – more significantly – TV advertisers.


Shazam’s evolution into TV programming

Live TV events are a prime market for the new Shazam. It partnered with a number of brands who advertised on TV coverage of the 2012 Super Bowl and the 2012 Grammy Awards Show. Indeed, more than a third of Super Bowl ads were Shazam enabled.

Shazam has shown impressive growth since its launch in 2008. Currently Shazam has over 200 million users now and is adding 1.5 million new users every week. From this increasingly large user base, Shazam is getting 6 million tags a day.

How Shazam Compares
According to statistics Shazam compiled, tagging a TV show with Shazam compares favorably with activity on Twitter and Facebook during the day the show airs. In the chart below, Shazam compares its tags with tweets and Facebook likes.

Shazam believes that tweets and check-ins (from apps like GetGlue and Miso) are not compelling enough for users. Twitter and the check-in apps would argue that the social activity they provide around TV programming is more than enough value-add. Shazam is betting that the media content it provides has even more value. Time will tell – right now there seems plenty of room for both approaches to second screen apps.

Fox Invests in Social TV

Interactive TV technology provider ACTV8.me has inked a deal with FOX to deploy multiple second-screen TV experiences for the network’s primetime programming.

In addition, FOX will take an equity stake in ACTV8.me. Per the agreement, the companies will start developing second-screen experiences for current FOX primetime TV shows, beginning with a new mobile app for New Girl, which is now available in the iTunes App Store for the iPhone. It will be released for the iPad and Android devices in the coming weeks.

These Social TV apps will enable viewers to chat with others in real-time, as well as earn badges by watching the show, as well as by answering trivia questions. “Our goal with Fox is to deploy and nurture new, really compelling interactive and social features that enhance the overall television entertainment experience and ultimately grow audience viewership,” said ACTV8.me Founder & CEO, Brian Shuster.

Huffington Post Building Digital Video Based News Website

The Huffington Post co-founder Ken Lerer wants to build a digital video news website intended for those who watch Jon Stewart and like-minded programming (not CNN or Fox News), reports AllThingsD.

Although a name hasn’t been determined yet, the site will reportedly launch sometime this summer and will feature a combination of live-video content and taped reports, and a mix of professionally produced programming and amateur content.

This new digital video news operation will not be confined to its website, as it will look to tap the reach of social networks for distribution. AllThingsD says the site/service has started hiring production and back-end staff, but not potential on-air talent just yet.

Walking Dead Finale Drives Social TV Engagement

The season finale episode generated almost 3x the social activity of the average season 2 episode. And at an average of 76K social media comments per episode, The Walking Dead is the #1 social TV show in its genre, beating out The Vampire Diaries (CW), Once Upon a Time (ABC), Fringe (FOX), and Supernatural (CW).

Why New Broadband Players Can’t Dethrone Pay TV

The Internet, the greatest disruptive force in media of our time, has decimated the music and publishing industries but has left the pay TV business largely unscathed — so far.

Subscriber rolls of cable, satellite and telco TV providers have held steady despite the rapid growth of streaming-video services from the likes of Netflix and Amazon.com, plus a wealth of digital entertainment options from iTunes, Walmart and others.

In the fourth quarter of 2011, pay TV providers added a net 300,000 subscribers — and premium networks HBO, Showtime, Starz and Epix gained nearly 2.2 million in the period, according to research firm SNL Kagan.

At some point, if the walls come tumbling down and millions of consumers choose to get TV content through a broadband service instead of their traditional provider, the industry may face a reckoning. Connected video devices, including Apple’s new iPad with its dazzling ultra-HD display, are blooming by the millions and presenting an open field for new entrants.

Deep-pocketed challengers still see the multichannel video market, which generates tens of billions in yearly subscription revenue, as ripe for the picking.

Intel is mulling a “virtual MSO” service. Apple fans are hyperventilating in anticipation of an advanced HDTV the tech giant is said to be readying to launch this year, which could make it even easier to watch over-the-top video. Google is plugging away on its connected-TV strategy, in the belief that — eventually — the Internet will become a significant source of video viewing.

While cord-cutting is not a rampant problem today, the pay TV industry’s core multichannel bundle could reach a breaking point at which enough consumers find enough value in alternative services to ditch their high-priced cable or satellite bill, industry consultant Will Richmond, editor and publisher of VideoNuze, said.

“I would argue it’s an inch below the surface,” he said. “Look at DVDs. All it took was a couple of years of inexpensive rentals and BitTorrent for that to crater.”

But the economic realities of today’s television industry present a huge barrier standing in the way of that trend gathering strength.

Large media companies spend some $40 billion per year creating content, according to Todd Juenger, senior analyst with Sanford Bernstein. Programmers, including sports networks like ESPN and cable mainstays like Viacom and Discovery Communications, are unwilling to supply over-the-top distributors with their current programming because that would disrupt their existing businesses. But they have happily sold streaming rights to older seasons and catalog movie titles to Netflix and Amazon. “Everybody wants to tell me that Apple is going to disrupt the whole world as we know it,” Juenger said. “But it comes back to the content guys. They have all the stuff people want to see, and they’re under no obligation to make that available to anyone.”

Meanwhile, pay TV providers are responding on multiple trajectories. Operators have introduced lower-priced video tiers. Comcast and Verizon are two incumbents that have announced plans for Netflix-like collections of on-demand, multiscreen video: If you can’t beat ’em, join ’em.

On the most strategic front are TV Everywhere services, which are intended to provide anytime, anywhere access to current content on multiple devices — so customers don’t latch on to over-the-top services.

“The idea is to make it less compelling for a subscriber to even contemplate dropping pay TV,” Juenger said, while also allowing networks to justify rate hikes to the operators.

TV Everywhere has evolved in fits and starts, with some operators and programmers more fully embracing the concept than others. Part of the reason there isn’t more urgency: The cord-cutting threat has not hit a high pain threshold.

“It’s been three years since [Comcast CEO] Brian Roberts and [Time Warner Inc. CEO] Jeff Bewkes linked arms” in their seminal TV Everywhere pact, Richmond noted. “There’s some progress, but not a lot.”

In any case TV Everywhere doesn’t address a key underlying issue— that the cost of the overall multichannel bundle continues to climb. In Richmond’s view, over-the-top providers are bound to step in to fill the gap if the TV industry doesn’t offer new forms of content packaging.

“I think multichannel bundling is a complete anachronism,” he said.“A la carte is what the Internet has trained us to do.”

Social Media Significantly Boosts Time Spent Watching TV

Social media can significantly boost the time viewers spend watching TV, according to a new study from iModerate Research. 58% of “heavy engagers,” or those consumers who share on social networks the thoughts related to what they are watching at least 10 times a week, report watching more live TV.

Adam Rossow, VP/Marketing, iModerate, said, “The respondents in this study consistently remarked that it makes TV more fun.” In addition, Rossow said that a growing number of viewers enjoy social interaction and frequently add shows to their lineup because of social conversations. “This adds up to more time spent on social networks and more hours watching television,” he said. iModerate also found three types of consumers who regularly engage in social TV experiences. They are:

“The Sports Nut”: 25-54 year-old males who use social platforms to comment on games, debate, talk trash, etc.

“The Extrovert”: 18-34 year-old males who have a lot of real-life and online friends.

“The Girlfriend”: 25-44 year-old females who primarily use social TV to discuss the dramas and reality TV shows that are important to them, which is akin to a “girls’ night out” experience, according to the study.

Viacom Delivers Multi-Screen Campaigns with Surround Sound

Viacom has unveiled Surround Sound, a new ad service that will enable advertisers to reach specific audiences across every screen that Viacom is on, whether it is television, or online video, premium display, mobile or other digital platforms. It will be available for all of Viacom’s media networks, including MTV, Nickelodeon, Comedy Central, Spike and VH1. Powered by Adobe’s AudienceManager platform, Surround Sound offers advertisers scalable media buys across nearly 100 million homes on-air, more than 80 million unique visitors online, as well as the mobile and email users Viacom reaches across the globe. Viacom says Surround Sound will leverage the company’s proprietary, anonymous first-party data, as well as anonymous data from industry partners and providers, around “demographics, behavior, geography and purchase propensities.”