12 Big Trends Shaping the Future of Digital Advertising

Mary Meeker presented the most anticipated Powerpoint deck of the year at the annual Recode Code Conference last Wednesday. Below are the big trends she highlighted that will shape the future of digital advertising.

  1. Mobile Growth May Have Peaked
    2017 was the first year in which smartphone unit shipments didn’t grow at all. As more of the world become smartphone owners, growth has been harder and harder to come by. The same goes for internet user growth, which rose 7 percent in 2017, down from 12 percent the year before.
  2. Digital Time Spent is Increasing
    People, however, are still increasing the amount of time they spend online. U.S. adults spent 5.9 hours per day on digital media in 2017, up from 5.6 hours the year before. Time spent on mobile has reached 3.3 hours a day, which is more than double from 1.6 hours in 2012.
  3. Search is Evolving
    49 percent of product searches now start at Amazon—36 percent start on a search engine. What’s more, Amazon is better poised to capitalize on those searches with features like one-click purchasing, which encourage consumers to use Amazon to fulfill orders that result from those searches. Search engines and content sites do a better job of inspiring consumers to want things.
  4. The Lines are Blurring Between Ads, Products, Content & Transactions
    Online browsing is evolving into buying, fueled by social media. Facebook leads the way with 78 percent of survey respondents saying they have discovered products on the platform, followed by Instagram and Pinterest with 59 percent, Twitter with 34 percent and Snap with 22 percent. What’s more, 55 percent of respondents said they have purchased a product online after a social media discovery.
  5. Google is Shifting to E-commerce as Amazon Shifts to Search
    Google is expanding from an ads platform to a commerce platform via Google Home Ordering. Meanwhile, e-commerce giant Amazon is moving into advertising.
  6. Voice is Going Mainstream
    Voice-controlled products like Amazon Echo are taking off. The Echo’s installed base in the U.S. grew from 20 million in the third quarter of 2017 to more than 30 million in the fourth quarter.
  7. E-Commerce Growth is Accelerating
    E-commerce sales growth is continuing to accelerate. It grew 16 percent in the U.S. in 2017, up from 14 percent in 2016. Amazon is taking a bigger share of those sales at 28 percent last year. Conversely, physical retail sales are continuing to decline.
  8. Subscription Services Continue to Grow
    They’re seeing massive adoption, with Netflix up 25%, The New York Times up 43%, and Spotify up 48% year-over-year in 2017. A free tier helps to accelerate conversion rates.
  9. Data Driven Experiences Create a Privacy Paradox
    Advertising and usability improvements driven by data create what Meeker calls a privacy paradox: Advertising and services are made better thanks to user data, users engagement and value is increased, and regulators want to ensure user data is not used improperly. Technology-driven trends are changing so rapidly that it’s rare when one side fully understands the other, setting the stage for reactions that can have unintended consequences
  10. Print Media Continues to Decline
    Since 2011, the share of U.S. media consumption that happens in print has dropped about 40 percent. But the share of American ad dollars that go to print has dropped more than 60 percent.
  11. Disruption is Accelerating
    The speed of technological disruption is accelerating. It took about 80 years for Americans to adopt the dishwasher. The consumer internet became commonplace in less than a decade.
  12. Ai Will Continue to Evolve
    Internet leaders like Google and Amazon will offer more artificial intelligence service platforms as AI becomes a bigger part of enterprise and advertising spending.

Here are the slides:

Sling TV: A Big Step Forward for OTT


Not to be confused with the Sling Box, Sling TV is a new over-the-top television service from Dish Network that allows consumers to stream a limited number of cable channels without a cable subscription.

Hundreds of thousands of people have already preregistered for Sling TV since it was announced in January at the Consumer Electronics Show, Sling TV is offering a handful of networks, led by ESPN, for $20 a month. Other networks on the service include Food Network, HGTV, Travel Channel, CNN, TNT, TBS, Disney Channel and ABC Family.

Sling TV is aimed at “cord-nevers” who want to stream nets including ESPN and Food Network for $20 a month. With its launch, the service is also rolling out a series of apps for mobile phones, tablets, and streaming devices that hook into a subscriber’s TV.

For those who want more choices, particularly for children’s content or news, Sling TV offers bonus packs of channels for $5 a month in those categories. It also hopes to have an expanded tier of sports channels at the same price, which it says is coming soon.

The introduction of Sling TV is the beginning of the TV businesses reaction to the popularity of streaming services, led by Netflix. The number of pay-TV subscribers has been slowly shrinking and there is concern that the availability of more streaming services will accelerate the decline.

Sling TV isn’t all about streaming live TV, the service will have videos from Maker Studios in addition to live TV channels from traditional TV networks. Finally, Sling TV will also offer up a selection of video-on-demand movies and TV shows that users can purchase.

To get users watching the service, Sling TV has introduced mobile apps for the iPhone, iPad, and Android phones and tablets. It will also have apps for Amazon Fire TV, the Amazon Fire TV Stick, and the Roku 3, to allow viewers to stream live cable networks directly to their TVs.

Sling TV still isn’t my dream OTT service. It makes you buy a limited bundle of preset live channels, but does not include the broadcast networks or options to add additional channels.

The good news is that Sling TV, unlike traditional cable TV bundles, has no contracts and no upfront installation costs. Subscribers can cancel at any time, and the company is offering a one-week free trial for those who’d like to try it out before committing to it.

Unbundling Pay-TV Brings New Challenges for Media


The media industry is racing toward an Internet-TV future at a breathtaking pace. But the swift changes, highlighted by efforts from Apple Inc., Dish Network Corp. and others, are giving consumers an array of confusing options and forcing entertainment giants to confront some sober realities.

Not long ago, consumers who wanted to watch “Monday Night Football” on ESPN, “Mad Men” on AMC or “Game of Thrones” on HBO knew what they had to do: shell out for a cable package that typically costs around $90 a month in the U.S. They could catch old seasons of popular shows on Netflix or a similar streaming on-demand service, but live, up-to-date programming lived in the cable bundle.

In the span of a few months, tectonic shifts are remaking a television landscape it took decades to sculpt, opening up a range of other possibilities for “cord cutters” who don’t want traditional pay TV. Apple is working on an Internet-TV service with some 25 channels, which is expected to be priced between $25 to $35 a month, according to people familiar with its plans. It will join Dish Network Corp. and Sony Corp., which are pitching their own online-TV bundles. A host of TV companies, including HBO, NBCUniversal, Nickelodeon’s Noggin and CBS, are in the mix with stand-alone streaming offerings.

But if consumers drop pay TV and sign up for TV services delivered over broadband, will they really get a better deal?

“If you buy retail and you have six or seven of these things, that might cost you as much as a bundle that gives you 400 different networks,” said Philippe Dauman, CEO of Viacom, which earns money from bundled channels but also recently launched a subscription streaming service aimed at preschool children that it imagines will be complementary to the bundle.

Sorting through which options or combination of options to sign up for—while keeping costs from spiraling—will be a headache. Dish’s basic $20 a month streaming package will get you ESPN, TNT and some cable channels but not broadcasters CBS, NBC and Fox. Apple wants to bring customers a “skinny bundle” including broadcasters and some cable channels but its service will cost more. Sony will soon offer something more akin to a full-on cable bundle, albeit likely at a higher price than the others—and notably, for now, without Walt Disney Co.’s ESPN and ABC.

On top of all this, consumers will have to factor in the cost of their broadband access. As a reference point, one operator charges $67 a month for a speed of 25 megabits per second once its first-year promotional discount ends.

Still, the new streaming world has the potential to be “better for many consumers” because it offers choice that the pay-TV industry never provided, said Roger Lynch, chief executive of Dish’s Sling TV streaming service. For the “vast majority of all consumers, the pay-TV bundle offers good value. But there’s a growing number of consumers for whom that doesn’t work anymore,” he said.

Media giants have their own calculations to make—quickly—as they prepare for a world that will look very different in 12 months than it has for the past several decades.

For years, TV channel owners and their pay-TV distributors—cable and satellite providers—were able to count on two reliable trends: that pay-TV subscriptions in America would grow each year, and that consumers would submit to paying ever-higher cable bills. In the past two decades, the pay-TV industry has grown by about 40 million subscribers to a total of about 100 million homes, and typical cable bills increased at a compound average annual growth rate of about 6.1%, according to the Federal Communications Commission. Those dynamics produced a steady stream of subscription revenue that drove profits for Disney and Viacom Inc. just as they did for Comcast Corp. and DirecTV.

But evidence mounted over the past couple of years that something fundamental was changing. In 2013, the industry’s base of subscribers contracted for the first time. Last year, pay-TV subscriptions fell by 129,000 industrywide, according to MoffettNathanson, even as analysts said new household formation surged, typically a good sign for the industry in years past.

And besides cutting the cord, more consumers started “shaving” it, downgrading to cheaper packages that operators began to offer. Comcast, for instance, offers an “Internet Plus” package of HBO, fast broadband and local channels for $40 a month, and AT&T has been peddling a similar $49-a-month bundle that also includes Amazon.com Inc.’s Prime free-shipping and streaming-video service for a year.

A mutiny was afoot, threatening the pay-TV fortress. “The ice cube is melting,” one senior industry executive said. “It’s a reality of the marketplace.”

The TV advertising business got a shock as ratings for major cable channels plunged, particularly over the second half of last year. The Cabletelevision Advertising Bureau, an industry trade group, recently told media executives that it estimates 40% of the ratings decline was due to viewers migrating from traditional television to subscription streaming services like Netflix.

“It was happening at a pace no one was anticipating,” said an executive at one big TV network. “We said, ‘We better start finding other ways to grow.’ ”

And with that, media companies that for years had pooh-poohed cord-cutting was a real threat, began to embrace it, albeit reluctantly. HBO, owned by Time Warner Inc., announced its stand-alone Web streaming service in October, followed by CBS, while in the background Dish and Sony assembled rights for their online TV bundles.

The goal for TV channels is to carry out this experimentation while safeguarding the traditional business to the extent possible. Virtually every TV network that has launched a Web TV service says it hopes to target the roughly 10 million homes that subscribe only to broadband service—without encouraging any current pay-TV subscribers to drop their service.

But holding on to pay-TV customers is getting harder. “We think there is going to be a continual dripping, dripping, dripping of millennial consumers and poor consumers who will be outside of the big bundle,” said MoffettNathanson analyst Michael Nathanson in an interview.

One risk of the media companies’ strategy is that by bringing TV channels to the Web they aren’t thinking far enough beyond their current business models. Their real competition for young audiences in coming years will come from companies like Facebook, Vimeo and Vessel that are attracting content creators from entirely outside the pay-TV ecosystem, said Mr. Nathanson and his fellow analyst Craig Moffett.

“Our suspicion is that the millennial cord cutter isn’t waiting around for just the right package of cable channels that only their parents watch,” they wrote in a research note Tuesday.

Not every TV channel is assured a secure place in the emerging Web TV world, analysts say. The small and midtier channel owners—companies like Discovery Communications Inc., Viacom, Scripps Network Interactive, and A+E Networks—will be jockeying to make sure their networks are in the online TV bundles being marketed to the audience of the future.

Some are making headway. Discovery, owner of Discovery Channel, Animal Planet and TLC, and Viacom, owner of MTV, Comedy Central and Nickelodeon, are in talks to be on the Apple service, people familiar with the matter said. Some A+E Networks channels will be added to Sling TV’s core package by the end of March, the companies announced Tuesday.

Read More at WSJ.com

TV Ratings are Falling as SVOD Subscriptions Rise…

 

TV viewing in the US are on the decline and as TV ratings fall, so does TV advertising revenue, as companies like Fox have experienced this year.

Nielsen’s Q4 “Total Audience Report” released on Wednesday shows a huge drop off in traditional TV viewing as consumers shift their viewing habits from old-fashioned scheduled programming.

American adults still spend a huge amount of time watching TV each day. But the overall levels of viewing (which includes live TV + time-shifted viewing) declined 4.6% year-on-year. That’s compared to a 4.2% year-on-year decline in Q3 and a 2.1% decline in Q2. The level of decline is accelerating.

Excluding time-shifted viewing, total live TV consumption was down 5.5% year on year to 114 billion person-hours of live TV video consumption.

Nielsen time spent with TV

The Nielsen Company

Among younger audiences, the drop off in TV viewing was even more severe: 16% among 18 to 24-year-olds, and 10% among 12 to 17-year-olds.

The steep drop off of traditional TV viewing is correlated with a sharp rise in the number of US homes with access to a subscription video on demand service like Amazon, Hulu, or Netflix. Nielsen says 40% of US homes had access to a subscription video on demand service in Q4 (the pink segment in graph below), up from 36% in the same quarter the previous year.

Nielsen Subscription Video on Demand

The Nielsen Company

Of those with access to video streaming services, Netflix is the most popular option.

Nielsen Netflix Penetration

The Nielsen Company

As you may have noticed from the previous charts, the amount of media consumption per day is actually up as consumers have more choice about the way in which they view content. And the more devices and services they have, the more content they consume.

Nielsen daily screen time

The Nielsen Company

Elsewhere, the amount of time spent on the web and with apps across devices among adults over 18 years old was up 32%, according to estimates from Pivotal Research, which uses Nielsen’s data as a guide. Pivotal says this now equates to 44% of the time spent with TV versus 32% in the year-ago period (although, intriguingly, on Pivotal’s estimates, this represents a sequential decline from 48% in the third quarter.)

An opportunity for TV networks?

hbo now announced at apple event Richard Plepler, CEO of HBO

APHBO CEO Richard Plepler announcing HBO Now at the Apple event on Monday.

Brian Wieser, senior research analyst at Pivotal Research, says in a note: “While declines should level off eventually (and viewing levels would certainly look better if tablets and out-of-home viewing were included in the data; a break-out of viewing of TV content in digital environments would also probably convey something more favorable for legacy providers of TV content), a concern is that if reported viewing levels continue to fall at these levels and if the industry is unable to generally make its case for why advertisers should use the medium, marketers who might otherwise have continued to focus their spending on TV may incrementally look toward other alternatives – namely digital media at a broader level.”

However, Wieser adds that this is a “secondary concern” relative to the broader state of TV advertising, which Pivotal believes is mostly due to the fact that marketers are maintaining tighter cost controls broadly across their entire advertising budgets.

There might be new competitors in the space, but there’s also more ways to get content (and advertising) in front of viewers than ever before — and they’re actively choosing to consume more of it.

And that’s why — as ratings are getting hammered — more and more traditional TV companies are opting to launch streaming services. Most recently, HBO announced HBO Now will be available on Apple devices starting in April.

Read more

Analyst expects Netflix to reach 100 million global subs by 2018

Stifel Nicolaus analyst Scott Devitt expects Netflix Inc.‘s international subscribers to surpass its domestic subscribers within the next five to six years.

Devitt, who upgraded Netflix to “buy” from “hold” with a $380 price target, believes the company will have about 100 million global subscribers by 2018.

“While 4Q may continue to be bumpy, we believe 2015 will see resumed growth from launches in Western Europe in mid-September 2014, particularly from large countries such as France, Germany, and Switzerland, as well upcoming launches,” the analyst said in a Jan. 13 research note.

The analyst expects the company to expand further in Western Europe, with Spain, Portugal, and Italy being the next likely targets

Google Names Programmatic Video Marketplace Partners: HGTV, Food Network and Travel Channel On Board


Last summer Google introduced Google Partner Select, a service allowing marketers to buy ads in “premium” online video content.

Now some big-name partners are signing on. Google on Tuesday said 30 media companies and 20 brand advertisers had agreed to transact via the exchange, including CBS Interactive, Fox News, Discovery Communications and Scripps Networks.

Google’s pitch to marketers is that with Google Partner Select they can buy inventory from a host of top video sites, using data for targeting purposes. Implicit in that pitch is that these marketers will avoid the low-quality and fraudulent inventory on other exchanges.

Marketers are rapidly embracing buying Web video advertising using more automated, data-driven tactics, according to Neal Mohan, Google’s vice president of video and display advertising,

“What we are seeing is the power of premium with programmatic buying,” Mr. Mohan said. “That’s something that [brands have] been very excited about.”

Of course, Google is also going after the TV advertising marketplace by directly selling Web video ad packages on YouTube via a more traditional TV-like approach (that isn’t entirely automated)–a program called Google Preferred. Mr. Mohan doesn’t see any conflict between those two trends.

“I don’t think they are mutually exclusive,” he said. “We’ve seen incredibly strong demand for Google Preferred, with brands buying in an upfront mode, and incredibly strong demand on the programmatic side. Brands are going to be looking to do both.”

As for the ad space available on the exchange, Google doesn’t offer many specifics but claims the inventory comes from a variety of content types, including everything from Web video news clips to live sports to full episodes of shows. (YouTube is not part of Partner Select.)

“We’ve gone after brand name, household name media partners on an exclusive basis,” Mr. Mohan said. “You have to remember the reason why this is attractive for publishers. They are trying to create incremental, high quality demand. Our publisher partners have not viewed this as a way to sell stuff they couldn’t sell upfront. In some cases, you are seeing this as a way for publishers to create pseudo private exchanges. We are not giving away keys to the kingdom.”

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Interpublic takes big step towards Programmatic TV buying

Interpublic Group, one of the largest media agency conglomerates, is taking a big leap toward automated buying in a development that could have a huge impact on the current media ecosystem.

According to the Wall Street Journal, Interpublic has begun building a new system that will allow it to automatically buy TV and radio ads and has partnered with Clear Channel, A&E Networks, Tribune Co. and Cablevision to test the new system.

The idea is to use existing technology to better target ad buys, and to get rid of some of the more cumbersome parts of making a TV ad buy, which can take weeks or months to iron out under the current system.

TV networks are cautious as there’s speculation that an automatic system could have an impact on media rates, as it has for online search display ads.

Im a firm believer that anything that can be sold programmatic, will eventually move to programmatic and Interpublic has just taken the first step.

Programmatic Buying makes a play for TV

Programmatic buying is a hot topic in the digital media world, but recently a new “audience-buying” platform called AudienceXpress has been making the headlines on Madison Avenue as it rolls out an automated system enabling agencies and their trading desks to serve ads into the most premium network television inventory.

Because of its implications for the overall media marketplace, the rapid rise of programmatic trading in online display advertising has been one of the most closely watched developments of the past couple of years, splitting Madison Avenue and its media supply chain into two philosophical camps: Those that want to preserve the world of old-school media-buying based on relationships and person-to-person negotiations; and those who want to shift to a new world of “audience-buying” based on scientific, real-time, transparent programmatic technology enabling brands to reach the audiences they are seeking with their precision at that exact moment they need to reach them.

The fear of losing control over the value of advertising inventory has been the major impediment to programmatic exchanges in the online business, but that hasn’t stopped the online display market from developing a marketplace based on sell-side machines trading with buy-side ones.

While supply was a big factor in the success of programmatic trading online, other big factors including the needs for agencies to improve their margins by utilizing technology to automate the way they buy in an increasingly fragmented media marketplace, as well as their philosophical shift from old school “media-buying” based on the seller’s inventory to the new world of “audience-buying” based on reaching the consumers that their clients’ brands want to reach with their ad messages.

According to the most recent estimates from Interpublic’s Magna unit, programmatic buying of media currently represents about 25% of online display buys, and is growing fast.

Since it went live in January with a beta being used by the trading desks of at least two of the biggest agency holding companies, AudienceXpress has already served nearly 2 billion ad impressions to network TV viewers nationwide — all below the radar of most of the TV advertising industry

One of the first adopters of AudienceXpress are cable operators because the platform gives them an incredibly efficient means of selling their TV advertising inventory to national advertisers in a way that does not cannibalize on the local and regional buys sold by their direct, in-house sales organizations.

The system essentially enables local cable operators to efficiently and automatically pool the local TV advertising avails they split with their cable network partners into an audience trading platform that taps the budgets of national advertisers. In other words, it enables local cable TV operators to compete directly for ad budgets with the national advertising sales organizations of their network affiliates. Generally, national cable TV networks give two minutes per hour to cable systems to sell as part of their distribution agreements.

Programmatic trading has quickly matured on Madison Avenue, and every major agency now has its own trading desk, or works with an array of independents. Almost all of them claim to be either currently buying or close to developing a solution for buying TV advertising inventory through their systems. At least two are doing so already.

In the minds of most TV folks, real-time bidding means devaluing your inventory, The AudienceXpress value proposition is to provide liquidity — largely for the sell-side — by applying
technology on the back-end and the front end, and then layering on audience data that increases the value of that inventory to advertisers.

Time Spent Watching Free VOD TV Content Jumps 40%

The amount of time subscribers spent watching free video on demand television fare soared in 2012, according to the latest findings from measurement company Rentrak.

According to the “Rentrak State of VOD Report 2012,” which reflects four years of platform analysis from Rentrak’s OnDemand Essentials Service, the total amount of time subscribers spent viewing free-on-demand TV content grew 40% in 2012 from 2011’s level.

Moreover, the report found that the total number of free-on-demand TV programs watched went up 29% from the prior year. Relative to broadcast network shows, the percentage gains were even greater, as there was a 60% uptick in total time spent viewing those programs and a 47% advance in the number of those shows watched from the prior year.

High-definition VOD viewing escalated by 60% in 2012, while there was a 5% increase to 43 million TVs that accessed VOD content on a monthly basis. That was up 13% from 2010’s levels, according to the Rentrak study.

Given these numbers, Rentrak officials point to the opportunities for advertisers to reach viewers through VOD mechanisms.

“There is no doubt that this kind of growth is reshaping budgets of cable operators, content providers and advertisers,” said Rentrak corporate president and president of the AMI Division Cathy Hetzel in a statement. “Our reporting gives perspective on how many ad dollars could be left behind if on-demand content is not considered by the planners of TV.”

comScore Unveils Multi-Platform Ratings

ComScore on Monday officially launched its new cross-platform reporting system combining audience metrics from Web sites, video and apps across PCs, smartphones and tablets.

Unveiled in beta in November, the company’s Media Metrix Multi-Platform reporting aims to provide a more complete view of an online property’s audience as people increasingly access the Web and other content on mobile devices.

The impact of the mobile shift has been especially pronounced for a handful of top 100 sites, especially where combined desktop and mobile U.S. audience in February increased by triple digits, according to the new comScore numbers. That includes mobile-centric properties like Groupon, up 223%, Zynga (211%) and Pandora (183%).

Across the top 100, the unduplicated audience grew by an average of 38%, with 19 properties seeing the reach of their desktop audience expanded by 50% on smartphones and tablets. (comScore mobile figures reflect use on the iOS and Android platforms.)

Among sites in the top 25 that saw a healthy ratings bump from the combined desktop/mobile reporting were Apple and Twitter, both up 54%, Yelp (51%), the Weather Channel (37%), eBay and About.com (both 29%), Gannett sites (32%), and Amazon (27%).

With the exception of properties like Pandora, the ranking of the top sites remained similar to that when counting desktop-only traffic. The top five multiplatform sites in February — Google, Yahoo, Microsoft, Facebook, and Amazon — were the same ones as through the standard Media Metrix ratings in January.

comScore said the cross-platform reporting will give publishers and media companies better insight into the nature of their audiences in order to align content and marketing strategies and monetization efforts. For media planners, it can help to optimize audience reach and frequency within and across channels.

Public companies like Pandora, Zynga, Yelp and Facebook have already begun highlighting mobile audience metrics in quarterly reports in relation to steps they are taking to monetize the sharp rise in mobile usage. Pandora, for example, reported earlier this month that mobile revenue in its fiscal fourth quarter surged 111% — even faster than the 70% increase in mobile listening hours.

For now, comScore will continue to publicly release the desktop-only Media Metrix top 50 Web properties on a monthly basis, but will regularly publish the Multi-Platform ratings in some capacity alongside, according to Andrew Lipsman, vice president, industry analysis at the digital measurement firm. He added that other services, like the Video Metrix and Mobile Metrix ratings, will be maintained.

The new cross-platform tracking service overall includes reporting on more than 300,000 digital media entities, including their unduplicated audience size, demographic makeup, engagement, performance within key user segments, and behavioral trends.