Connected TV usage growing in US

In Q4 2012, 40% of connected TV owners in the US watched Netflix content, according to the Connected Intelligence, Application & Convergence Report from The NPD Group.

When breaking it down by different age groups, NPD finds that 51% of 18- to 34-year-olds who have a TV connected to the web watched Netflix content on TV during Q4 2012. These include those who own TVs directly connected to the internet as well as those who have another device hooked up to the TV in order to access Netflix content.

What’s more, NPD says it appears Netflix users are migrating to the TV set. 21% of connected TV owners surveyed said they have shifted from using OTT video services on the computer to now accessing them via the TV instead.

Following the TV screen, The NPD Group findings show that among those surveyed, 14% watched Netflix content through laptop/desktop computers in Q4, while 13% did so on tablets, and 8% via smartphones.

YouTube’s Plan for TV Domination

Quick: Think of watching a YouTube video. What kind of screen pops into your head? Chances are you thought of your laptop, desktop, smartphone or tablet before you imagined flopping down in front of a YouTube video on your widescreen TV in the den.

But that’s an attitude YouTube is desparate to change — and TV makers are eager to help them out. A number of sets launching at CES 2013 this week in Las Vegas — including sets from Bang & Olufsen, LG, Panasonic and Sony — offer the video service’s recently launched “send to TV” feature.

This lets you pair an Android phone with a TV on the same Wi-Fi network, and cue up videos using the YouTube app as your remote. Sony and Samsung apps on some recently-sold TVs already work with the feature, as do TV apps on Xbox 360, PlayStation 3, Wii and Wii U consoles. Google TV not required. (Controls in the iOS YouTube app are coming soon.)

And all of that is just the tip of the iceberg. During interviews at YouTube HQ in San Bruno, Calif., the company tried its best to convince Mashable that a Minority Report-style future — one where the majority of us will simply flick videos off our phone screens and have them appear on our TVs, without a second thought — was just around the corner.

“We’re trying to build this infrastructure that scales everywhere from watching 1080p HD-quality video on your TV all the way down to using a dial-up modem in a developing country,” says Shiva Rajaraman, YouTube director of product management. “We’d like to be all things video, and that means getting video into all places” — with your smartphone replacing your remote or your game controller.

It also means turning YouTube into more of a DVR. The company hopes to persuade you to treat YouTube as a primetime, evening watching experience, rather than something you use for cat videos at work.

In this effort, YouTube has a major ally — its audience. The service already experiences a boom in viewers every evening in every time zone in America. “We see traffic spike on the smartphone, tablet, and TV-connected UIs,” says Rajaraman. “Prime time is prime time everywhere, for YouTube too.”

Uniting the Second Screens
Though YouTube doesn’t offer any numbers, a big chunk of this primetime spike is likely to be second-screen watching. You’ve got the TV on in the background, but you just got reminded of the really cool video that got passed around the office.

So what do you do? Reach for the tablet, grab the laptop, pull the phone out of your pocket. Why? Because they seem like the best screens for the job.

If you’re anything like me, you already have the ability to watch YouTube on your TV, along with Hulu Plus, Netflix and Amazon Prime. But you don’t do it because experience has taught you the result is likely to suffer by comparison with those other services.

The big streaming companies offer a pretty consistent video experience. Load a movie on Netflix streaming, and you know it’s going to seem somewhere between DVD and Blu-Ray quality.

Load a YouTube video on the big screen, and there’s a chance the quality could appear somewhere between an 8-bit video game and a fuzzy LEGO art project. There’s not a whole lot YouTube can do about that; it’s the one truly democratic, worldwide video network. Quality of uploads is bound to be all over the map.

No Verified Videos, Some Nudging
So how to overcome our wariness of using YouTube on the TV? During our conversations, I suggested the service start verifying accounts, Twitter-style — you get a tick next to your name if you consistently post videos that look great on a 42-inch screen, say. (Because as we know from experience, simply saying a video is HD when you upload it doesn’t make it so.) You could also use the verification process to clamp down on one of YouTube’s most terrible scourges: the vertical video.

The YouTube team demurred. They’re leery of encouraging user behavior in that direct a manner. For example, there are plenty of times the service can see there’s a problem with your video playing, and can make an educated guess as to why. There have been discussions behind the scenes about having a dialogue box pop up telling you, for example, that you might want to quit the 10 other programs you have running.

“We don’t want to add to the confusion, or look like we’re pointing fingers,” says Andy Berkheimer, YouTube’s head of engineering. “If you suggest the user take action and say it’s something else’s fault, you have to be sure.” Having said that, he adds, “We’ve definitely identified a few scenarios where we can help people out.”

The Sliced Bread Solution
Still, YouTube’s focus is mostly on fixing its video service on the back end. An ongoing internal project code-named “Sliced Bread” has made the whole service a lot smarter about how it feeds video to you, chopping it up into slices much the same way regular internet content is divided into packets, and making a half-dozen other software and bandwidth adjustments on the fly.

“The goal is to get rid of the spinner,” says Berkheimer, referring to the rotating series of dots that shows when a YouTube video is loading. The server software is “making decisions about next five to 10 seconds, asking: how do I provide highest quality with lowest risk of inducing a spinner?”

Getting a spinner, in fact, is the number one predictor of whether you’re going to abandon your YouTube video and move on to something else. So if you’ve found that your videos have started playing more smoothly with fewer interruptions recently, thank sliced bread.

YouTube apps on Samsung and Sony sets sold within the last year will start updating themselves with improvements to the service, as they’re now controlled by YouTube rather than the manufacturers. You’ll also find that if you’re watching a lot of videos on TV, the apps will know that and start offering more HD videos to you.

“If you only watch HD on your TV, you shouldn’t have to go and toggle some settings switch in order to do that,” says Rajaraman.

YouTube Can’t Go It Alone
Ultimately, none of this matters unless the content creators start viewing their stuff as TV-ready. Which is why YouTube is encouraging the whole concept of Channels and Subscriptions. On both the user and creator side, the plan is to turn the millions of YouTube Channels — whichever ones float your boat — into must-see TV.

Developers are part of the bigger picture, too. The company is also releasing updates to its API with a mobile embeddable player, allowing more apps to take advantage of YouTube content. Ultimately, YouTube will rise or fall on what creators do with it. It isn’t trying to be Hulu or Netflix; there are no major deals for movies or cable content on the horizon. Whether it can compete with those services for your TV-based attention is up to you.

Source: Mashable

Five Media Technologies to Watch in 2013

The digital media world will continue to change at a rapid pace, these are the technologies I am keeping my eyes on in 2013.

Multi Screen
The blending of paid, owned, and earned media will continue and intensify in 2013, spawning new technologies and necessitating new workflow systems and partnerships. As the lines continue to blur between what’s paid, owned, and earned in digital media and multi screen usage continues to shift the way we consume content this will be the trend that governs nearly all other major changes in the digital marketing and media landscape.

Native advertising
From banner blindness to the fact that display, search, and social advertising have largely moved toward programmatic buys that are much less profitable for publishers, we’re seeing a number of technologies and solutions emerge to facilitate native advertising, one of many terms for branded content integration. New Products and solutions in this area will continue to emerge, more publishers will accommodate, and we will see some interesting, large-scale media partnerships emerge as a result.

Real-Time Marketing
Real-time marketing demonstrably works — not just in social channels, but across the marketing spectrum. A recent GolinHarris study found that real-time not only positively impacts standard marketing goals (word-of-mouth, attention, preference, likelihood to try or buy), but it also turbocharges other marketing initiatives, including paid and owned media effectiveness. Event/news-driven marketing will become increasingly vital as brands work to become more relevant. This requires sophisticated listening and monitoring platforms. Teams require new tools and must also be permitted to work in an agile environment, free of the chain-of-approval strictures that are antithetical to real-time marketing.

Branded Content Marketing
As brands recognize the necessity of adding content to the marketing mix, they quickly realize something else. Few marketing organizations have a content division or strategy. In 2013, brands will begin to address this deficiency in earnest. They will hire, reorganize, and make room on the org chart for effective content marketing operations that work in concert with existing marketing functions from social to communications to brand, creative, and advertising.

Mobile Innovation
Mobile Phone and Tablet sales continue to outpace PC sales, but mobile ad technologies have failed to keep up with the needs of the mobile market. In 2013, mobile innovation will take center stage as marketers scramble to find new ways to engage this rapidly growing audience.

The above are my top five, but the single most interesting trend in 2013? Easy. It’s the one that hasn’t been created yet.

Epic Meal Time Launches New Competitive Cooking Series

Epic Meal Time is one of the most popular channels on YouTube with nearly 3 million subscribers and over 486 million video views to date. Now, with the help of Collective Digital Studios and NextTime Productions, the channel has launched a new web series called Epic Chef, which is being described as “an over-the-top, calorie-filled take on the competitive cooking genre”. If you’re not familiar with Epic Meal Time, the channel is notorious among the college crowd (and like-minded viewers) for cooking up ridiculous, cholesterol-heavy dishes such as meat gingerbread houses and egg rolls the size of a human head.

Epic Chef, which will keep that notoriety intact, debuted Friday. The series pits two chefs against each other every week, as part of a bracket-style competition to determine who is, in fact, the most “Epic Chef” of them all. Each episode will feature a themed challenge such as “Epic Burger” or “Epic Mexican,” for which the competitors will have 45 minutes to create a meal worthy of the moniker, only using a box of mystery ingredients and a pantry that they will have access to.

Celebrity judges for the series include Duff from Ace of Cakes, Adam Gertler from Next Food Network Star, and a collection of YouTube stars, among others. Competing chefs include former contestants on shows like Top Chef and Iron Chef, as well as other notable food personalities.

Harley Davidson takes Branded Content for a Ride

The Harley-Davidson Ridebook is a branded content series created by NY-based marketing agency Campfire for the popular motorcycle company. Each edition features stories and content from filmmakers, writers, musicians, photographers, and other personalities that highlight experiences featuring Harleys in some way. For example, in the most recent edition, called “Beyond the Hive,” singer-songwriter Butch Walker curated a video called “The Prohibition Tour,” which captured a ride with friends to Napa Valley where Walker and his buddies sampled some wine. There’s also “Ghost Towns, ” in which videographer Scott Toepfer takes a road trip to an abandoned town in California.

Other features include “Bike Anatomy,” an interactive guide to a Harley-Davidson curated by UrbanDaddy and a music playlist curated by TheFader.com. Even if you’re not a biker, this is compelling content, that will make you wish you had a Harley.

New OK GO Music Video Redefines Product Placement

OK GO takes Chevy on a successful Viral Ride

The band OK Go has been among the smartest (and funniest) creators of viral media since its band-on-a-treadmill music video for “Here It Goes Again” exploded in 2006. Yesterday it expanded its incomparable viral-video oeuvre (and legend) with “Needing/Getting,” excerpts of which appeared in a Super Bowl ad for Chevy Sonic — because the video co-stars the car.

The video, which the band said took four months of preparation and four days to shoot, shows a Chevy Sonic outfitted with retractable arms driving a two-mile course studded with musical instruments. There were no stunt drivers, according to the band, unless you count lead singer Damian Kulash Jr., who took stunt-driving lessons.

The reception on the web so far has been wildly positive — with even the blatant product placement being warmly received. One of the most up-voted comments on a Reddit thread about the video reads:

I think this is a great use of corporate funds/product placement. The band gets an amazing music video that would be prohibitively expensive without Chevy’s money and Chevy reaches their 18-34 demographic with a spot that has the car as a central figure. This video was targeted for sharing via Facebook, Twitter, and Reddit.

The full video shown here is also debuting today on MTV, VH1, MTV Hits, mtvU and Palladia.